I was listening to a PoemTalk (PennSound) about LeRoi (Amiri Baraka) Jones’s early poem “Kenyatta Listening to Mozart“ and one of the guests mentioned that Ornette Coleman’s The Shape of Jazz to Come came out in roughly the same year as this poem was written. Coleman’s album is 1959 and the poem was published in 1963. […]
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Explanation and Example: Capitalist Nationalism
**Reformist consciousness was famously described by Gramsci as “dual” or “contradictory”; on the one hand accepting the permanence of the system, on the other rejecting the effect of its operation. The most basic expression of this contradiction is an acceptance by workers of the wages system accompanied by a rejection of the particular level of […]
Building the Insanity In: Ex Machina
This is not a movie review. This is me thinking about empathy. Last night, lonely little ol’ me sat in a hotel room in Laramie, Wyomig (inauspiciously named for Jacques LaRamie, a French or French-Canadian trapper who disappeared in the Laramie Mountains in the late 1810s and was never heard from again–nice choice, Laramie). I […]
By Metaphor Alone
Motivation matters. If the scientific method (which we make into the massive all-encompassing abstraction of SCIENCE to compete with the millennia-eating abstraction GOD)…if the scientific method is a metaphor premising failure (we do not know and what we discover leads to a failure of knowing…the infinite is unknowable, the Nothing that came before is unknowable) […]
Pea Soup and Poetry
A poem, for me, is often very clearly a response to what I am reading and the way it fits into my material existence. The poem in other words is both a reflection on literature and the way that literature seems to become a meaningful part of my life, my thinking. Sometimes, it seems as […]
It Plays You: Mingus on Electric Instruments
Selections from a Charles Mingus interview from February 1972, in Mingus Speaks, by John F. Goodman. I think it’s time that good musicians get rid of electric instruments, because a good musician can’t play an electronic instrument; it plays you. For instance, if you want to bend a note, you’ve got to push a button […]
UPDATE! Coming Up on Interchange: “Later also headache”
The title of this post comes from Naomi Baron’s Words Onscreen which will serve as the basis of an upcoming Interchange program. “Later also headache” was a description given by a German respondent as to a negative aspect of “reading onscreen.” Here’s a look at the schedule for the next month or so, but you […]
What Else Was There?
From Donald Hall’s Essays After Eighty, “A Yeti in the District.” The next day I got back to writing. What else was there? Well, there was anticlimax. When Linda and I returned to my house, we found a stack of five Concord Monitors, the local paper, delivered in kindness by the morning deliverer. Top of […]
A Nothing More Blank
Stevens and Frost “The Snow Man” by Wallace Stevens One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and […]
A Discernment: Frost or Stevens
To ask the question concerning he daemon is to seek an origin of inspiration. Whereas Robert Frost is possessed by an external daemon whose name is Loss, hence the power of Directive, Wallace Stevens undergoes possession by the rival daemon of a Supreme Fiction. Frostian unmaking of a diminished thing contrasts antithetically with Stevens’s proposing […]
Articles
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LeRoi and Ornette – Becoming in Time
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WFHB’s Interchange – Just a Spoonful of America
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Luis Buñuel’s The Young One: Anatomy of White Male Supremacy (WFHB’s Interchange)
